Have I been watching too much FlossTube?

I'm so sorry about my last post guys...I guess I wasn't very clear, I said my ADHD was bad that day! Maybe I got too "FlossTubey" with my terminology? Let me try again and hit the highlights with a clearer brain. I was trying to say that I'm worried that if I stitch the supersize max color Bookshelf on my usual 28ct fabric, it's at a risk of being too thick. 28ct is already pretty tight (which is why I like it, full coverage with no fabric see through), but when it comes to confetti-heavy projects and a lot of color changes, the back just becomes a jumble of thread mush (aka "carpet"). There were times I couldn't even get the needle through Suteki without the use of a pair of little pliers. Yes, I was knotting my thread back then, but I don't think even stopping that practice on Bookshelf will help much since the Bookshelf has three to four times the number of colors in it and there are no solid patches of color blocks, just a virtual pixelated mess (that will look like a million bucks when finished and my most challenging project to date). I just don't want to have to restart it after a few pages, so I was questioning whether I should just buy new supplies now for 25ct, before I officially start.

As far as pitching out Monaco vs Lugana, those are just fabric types. Monaco, like Aida, is made with 100% cotton (as is Hardanger). Aida and Hardanger are just more stiff and Monaco feels like Linen or other evenweaves. I'm from Arkansas, we should be called the cotton state considering how much of it is grown here (but it is called the Natural State, so there you go). The Monaco has smaller holes because there is more fabric (cotton is thick unless blended with a lighter fabric), which is very noticeable at the 28ct level. You don't notice it at the hole size of Aida because the fabric can be woven tighter (hence it's stiffness instead, more fabric in a less confined space). Lugana is a blend, a little over 50% cotton and the rest is viscose, a material made from wood pulp (something like that tends to stick in your brain, or at least mine). I find that Lugana tends to tear between the stitches if you're not careful, probably because the holes are bigger and the fabric weave is thinner. Fabrics like Jazlyn and Jobelan (the only other two I've personally tried) are mixes of 50+% cotton and the rest is rayon. I don't like the feel of rayon myself, it feels slimy to me. There are obviously many other types of fabric, with many different blends, but all around the 30-50+% cotton range plus something else.

Back in the day, I didn't even consider stitching A Walk In The Highlands on Aida. It would have been too big and I didn't have the wall space for it. Plus, after that Teresa Wentzler, I liked the idea of a fabric with a count that I could stitch 1x1, so I started experimenting to the largest count that I could still see (with the aid of reading glasses, of course). HAED always recommends 25ct (as does a lot of other companies), but I didn't like 25ct coverage because too much of the fabric showed through (and my recent test proved that to still be the case, but I've since learned there are ways around even that, like with black you can use Anchor instead of DMC thread because it's thicker). After my initial experiments, Monaco just worked best for me and I haven't really try much else (other than a brief stint with Linen, but I don't feel the need to go there ever again!). Monaco will always be my fabric of choice, although most of the fabric I bought for the new projects was Lugana, mainly due to the pre-gridded stuff. I can't imagine life without gridding now, so knowing I don't actually have to ink in the grid is pretty nice (unless it confuses me more, time will tell). I know higher counts aren't for everyone and the worse my vision gets, the more I might have to rethink it myself, but right now, fabric types are more a concern. My Snow White project? The fabric I've always hated so much? Lugana. I think I was more resigned to it this last time because I've gotten more used to it after a couple of other projects.

Everyone who does these bookshelves typically does tent stitch (which I just can't bring myself to do) and also uses a 25ct or an even lower count (there are actually people doing them on Aida, which blows my brain). And I've seen a few who stitch on 28ct, but do it 2x2, so they are basically stitching it 14ct, but hey, everyone has their own process, it's just not MY process. On 28ct 1x1, it will be almost 36" wide...that's 3ft wide. It would change with other size counts. I can do a bit of a breakdown for fun (assuming all these are over 1, but obviously thread counts would change per size, 14ct might need 3x1, I haven't worked with 14ct for YEARS):

14ct.....71 3/8 x 51" that's longer than my living room!

18ct.....55 1/2" x 39 5/8"

25ct.....40" x 28 1x2"

28ct.....35 5/8" x 25 1/2"

32ct.....31 1/4 x 22 3/8" as of now I can still do, but if I'm worried about tightness on 28ct, 32 would be worse

40ct.....25 x 17 7/8" that sounds WAY more manageable, but my eyesight is too bad for that

A lot of it is about the just looking more like a painting if the stitch count is higher, but for me, I also have major space issues in my house (which some of you are aware of), and I really don't have the room for a 3ft wide project, let alone something 71" wide, so given the lesser of the two evils, I'm going with the 36" over 71". If I change the fabric from 28ct to 25ct, that will only change the stitch size up to 40" (still really too big for my house, but oh well). Because of the added border size on the 40" though, it would go end to end on a 48" dowel rod, so I would need to order the next size up (which is 72") and cut them down with a saw, hence the worry about all the woodworking in the house. If I stick with the 28ct fabric, the 48" dowel rods will work fine.

But speaking of eyesight...I just got a bill from the eye doctor for my contacts last year (I thought I had already paid it, but apparently I hadn't) and it was $540 with the possibility of more if insurance doesn't cover the visit. Why they are just now billing me for an August visit is beyond me (I swear I paid for the visit though and I tried to call them, but they are apparently closed on Fridays and I'm just not hitting them right today, too early this morning and I've hit their lunch hour so far today). Point of that story...my previous, ununderstandable question of changing out fabric? Moot. Not that I could before, but now I definitely can't afford to spend another $120 on cross stitch supplies to switch to the 25ct now, even if it's best, given the new eye doctor bill. Fate has a way of sticking it to me, usually in a very brutal manner. This is her way of saying I made the right fabric choice, by slapping me with another medical bill, when she just could have made me write an easily understandable blog post!